Jo Davenport Nitrogen Pink, 2015 oil on Belgian linen 263cm x 153cm

Jo Davenport A Midas Touch, 2015 oil on Belgian linen 1530mm x 2630mm

Jo Davenport On a Clear Day, 2015 oil on Belgian linen 122cm x 122cm

Jo Davenport Sunshine and Rain, 2015 oil on Belgian linen 183cm x 168cm

Jo Davenport Thoughts on a Grey Day, 2015 oil on Belgian linen 153cm x 153cm

Jo Davenport All that Glitters, 2015 oil on Belgian linen 153cm x 153cm

Jo Davenport Out of the Blue, 2015 oil on Belgian linen 153cm x 153cm

Jo Davenport Still, 2015 oil on Belgian linen 122cm x 122cm

Jo Davenport Red Sky at Night, 2015 oil on Belgian linen 168cm x 183cm

Jo Davenport In the Winter Garden, 2015 oil on Belgian linen 15300mm x 1530mm

Jo Davenport By the River, 2015 oil on Belgian linen 1830mm x 1680mm

Jo Davenport There is Another Sky, 2015 oil on Belgian linen 1680mm x 1830mm

 
Surface Tension 

Arthouse Gallery

7 September - 3 October 2015

Instead of dwelling on grand Romantic narratives surrounding the sublimity of nature, Jo Davenport’s new series of oils considers the fragility and intimacy of the landscape and its relationship to our emotions and memories. Moving away from topographical and physical representations, they are abstract expressions of the feelings associated with being in the landscape: the sensuality of a flowing river, the scent of impending rain, the warmth of the midday sun and cool shimmers of morning light. Davenport is interested in the charged space connecting the real world of the spectator with the imagined and emotional landscapes of the paintings. Bridging the tangible and the experienced – the physicality of the canvas and the metaphysical realm of memory – the paintings nurture a dialogue between internal and external landscapes, eschewing pre-existing ideas of what a ‘landscape’ is.

Davenport’s complex layering of paint parallels an accumulation of ideas, thoughts and emotions. She considers the emotional impact of colour, and how compositional formats and motifs can trigger perceptual responses and cognitive associations. Rather than working with a fixed image in mind, the artist uses paint to search for her imagery, which gradually emerges like a quiet revelation. Her process is a highly physical exchange with oils built atop a ground of paint that has been poured and tipped and, as a result, each painting takes on a life of its own unbound by consciousness.

- 'Surface Tension' Catalogue Essay, Arthouse Gallery, 2015